13.11.12

Reading Poetry Out Loud (Week of October 22, 2012)

This week, we started going through our poems for Poetry Out Loud. We individually stood up in the front and recited our poem and Ms. Ashley helped us with our intonations and actions line by line. I chose "a song in the front yard" by Gwendolyn Brooks:


I’ve stayed in the front yard all my life.
I want a peek at the back
Where it’s rough and untended and hungry weed grows.   
A girl gets sick of a rose.

I want to go in the back yard now   
And maybe down the alley,
To where the charity children play.   
I want a good time today.

They do some wonderful things.
They have some wonderful fun.
My mother sneers, but I say it’s fine
How they don’t have to go in at quarter to nine.   
My mother, she tells me that Johnnie Mae   
Will grow up to be a bad woman.
That George’ll be taken to Jail soon or late
(On account of last winter he sold our back gate).

But I say it’s fine. Honest, I do.
And I’d like to be a bad woman, too,
And wear the brave stockings of night-black lace   
And strut down the streets with paint on my face.

Because the poem was so mature and required seriousness, I felt like I couldn't express myself as I
needed to in front of the class. I felt embarrassed at times, because the interpretation of the poem that I
had found was just a little snippet of the poet's wish to become naughty and a bad girl. But I reminded 
myself that sometimes, even I feel this way and I really wanted to take this poem seriously. Ms Ashley 
said it could be a winning poem if done well. I plan on having a one-on-one session with her and really 
make it great to perform. 

As for my second poem, I chose one of my favorites (of my very limited poem 'repertoire'), "My papa's 
waltz" by Theodore Roethke:

The whiskey on your breath   
Could make a small boy dizzy;   
But I hung on like death:   
Such waltzing was not easy.

We romped until the pans   
Slid from the kitchen shelf;   
My mother’s countenance   
Could not unfrown itself.

The hand that held my wrist   
Was battered on one knuckle;   
At every step you missed
My right ear scraped a buckle.

You beat time on my head   
With a palm caked hard by dirt,   
Then waltzed me off to bed   
Still clinging to your shirt.

Zombie Apocalypse and Child Play (Week of October 15, 2012)

This week, we continued with mask work. We started out in small impromptu groups that soon grew bigger and bigger as people joined in. Ms. Ashley gave a group of about 5 students a scenario to act out. As they played their roles, others joined in one by one. This time, though, we were able to speak, but only in gibberish. 

In my group, we started out with a robbery and police coming to investigate the scene. I came in with backup help after the police officers had been shot and performed first aid on the wounded. But I couldn't save my 'colleague'. While I was doing that, the criminal we had 'shot' earlier had gotten back up, now a zombie.  The zombie came to bite and attack me, turning me into a zombie. At first, I was so confused! Then I looked around to see that the others were also walking around like zombies. So I became a zombie and it was actually a lot of fun. We all slumped around the class, looking for any 'living humans' who came in, trying to save their friends. We ended up turning everyone into zombies, like the end of the world. Things got really heated between some of the boys who were 'fighting' each other. At that point, we kind of stepped back from our own actions and focused on them. 


This exercise was so fun because we had started out with a scene completely different than what we ended up with. I think improvise is fun not because you make up what you do on the spot, but because that impromptu acting can lead into any direction; we went from a robbery to the apocalypse. It's our time to let our imagination run loose and act what comes first into mind. 


Another exercise we did was child play. Ms. Ashley turned on nursery songs from a British children's show on the SMART Board and we became babies and toddlers between 2-5 years old. We had toys and other props to play with. This was super interesting and really fun to do! I got to just be a little kid and have no worries. It was so simple and easy. What I see the little kids do at church, I mimicked in class. I guess it was a little difficult trying to figure out exactly how little kids act at a certain age; some people over or underestimated the age they wanted to act out. I started out at 2 years old but near the end, i was more like 4 years old, the way I was acting. At one point, we realized where the sound was coming form and crowded the SMART Board, wanting to know what it was. Overall, I had a lot of fun with these two exercises and they helped to step out of my comfort zone with these masks.

Masks: The Four Elements (Week of October 8, 2012)

During this exercise, we split into four different teams and each took on an element [water//fire//earth//air] to act out. We weren't allowed to talk or make noise. The only thing we could do was move our bodies. We had to convey messages to each other and collaboratively show one element without audible communication. 

I acted out fire and during the exercise, I realized it really took good observation and impromptu thinking to portray a fire. I'll admit, it was hard trying to look like a fire. I had this image of a burning fire in my head, but I didn't know how to get that image across to the others without any props except my body parts. Sometimes, I would see a friend doing something that I thought was great and spot-on. I felt like sometimes, I couldn't express what I was or come up with a great idea to perfectly represent what element I was. 

There was more success with the next exercise we did later in the week: with materials [wood//metal//plastic//etc]. In this one, I chose metal and made sure I had more of an idea of how metal would be. I stood as a pole, and, able to now make noise, made clanging sounds with whatever objects I collided with. I think rather than try to plan out my actions, it helps more to just think of a particular trait of that element/material and, using one of the 3 interpretation techniques, make it my own. I had been trying to imitate the element, but with the material exercise, I think I took a more influential interpretation so I incorporated certain traits of metal, but also brought out my own ideas. Overall, I had fun participating and watching, especially the material exercise, since I didn't know what they were until after they started.

12.11.12

An Intro to Mask Work (Week of October 1, 2012)

http://youtu.be/QUs-lyXOCxI

This week, we started using our masks to get ready for Greek tragedy. We started using Keith Johnston and Jacques Lacoq's methods of mask work. First, we looked at ourselves in a mirror and used one word to describe ourselves. When I looked at myself in the mirror, I was completely taken aback. I had not been expecting such a dramatic change. I felt like a totally different person, with a different personality. I felt tough, sneaky, and stern, unlike my usually bubbly and extroverted manner. As cheesy as it sounds, I felt I was entering a new body, had become a new identity I didn't recognize. I had to keep reminding myself of the image I saw in the mirror to become fully immersed in the mask Hanna. 

Later, we each 'woke up' from lying on the floor, in the character of the masks. We then acted how the mask told us to, playing different roles. I became a bandit, a gang member, and a cop. Each time, depending on the environment of the others around me, my attitude shifted . We walked around, watching one another and responding to each other's actions. Compared to the times when we acted out a skit sans mask, I felt a lot more aware of my surroundings and paid more attention to the detail around me. Every decision for movement or sense of movement around me was heightened. Maybe I felt this because of the sneaky and stoic character from the mask; it definitely felt weird. Or since my classmates were in masks with me, I didn't know what to expect from their actions, how they had changed through the mask. 

Later, Ms. Ashley turned on music and we let the song guide our movements. A bright piece called for happier movements and scenes; a dark, heavy song led to tragedies, students 'dying' and forming a very loud hearse-type of crowd. I was surprised at how we could bring all that out with just one song. The music served as our imitation, influence, and inspiration. We all interpreted the music differently and portrayed how we felt through it. Sometimes, though, I acted a certain way that didn't work out with how the rest of the people were acting. So I transitioned into a role that would more suit the situation that still fit the music.

We weren't just any characters as in a skit. For now, the mask gave us a specific identity, or a feel of one that we molded to. At the same time, though, the mask enabled us to express ourselves beyond our usual ways. Without the mask, self-consciousness, embarrassment, and our dignity, I believe, serve as limits to our extent of action. With this mask covering our faces, it helped reduce the self-consciousness we felt. We didn't have to show our faces and the audience didn't need to see the faces, as well. I wasn't scared to act out of my normal character. I didn't act out as much as I could have but as I use the mask more, I think I'll get accustomed to it and be able to freely express myself.

Ritual Theatre Reflection


             In class, as I observed another group performing their ritual theatre, I saw how interactive this type of theatre is. It requires everyone to take part; there is no minor role because all the members of the group must play a role in telling the story. Even the audience plays a huge role with the instruments and sound effects it makes. The African Bushmen stood out for me with the flourishes of the arising spirits and creation of the world. It holds such a mystical aura in its story that intrigues the audience watching. I loved the use of props to add creativity to the performance and the collaboration of the group members to create one scene together. The acting of the main spirit/god was very expressive and exaggerated which clearly sent the message of the actor. Simple sounds from the audience to add flourishes to the performance gave that spiritual, magical touch to the ritual. The build up to the rise of the great leader and the shaping of the tree especially showed the effects of a mixture of instruments, expression, and teamwork. I could tell what was going on in the story without depending on the narration, as rituals started out.
            I had so much fun rehearsing and performing our ritual in front of the class. The unique thing about ritual theatre is that rather than a group of performers simply acting out scenes, they re-tell a story passed down by tradition, with the help of the audience who take part. Unfortunately, the role we planned out originally for Haley and me was after the part we cut off so we did not get to perform too much, but otherwise, I think we did a good job incorporating everyone into the play’s significant roles. My group members did great playing their roles in the ritual, being expressive and bringing in the audience to be a part of the performance. Compared to the first day we reheard the ritual, we improved greatly, finding new ways to portray a certain scene, adding new sound effects, or even just being more moving with our body movements. During our rehearsal process, we got advice from our classmates and Ms. Ashley which helped a lot. Because we couldn’t see ourselves from the audience, their input helped us revise our actions. I enjoy being on stage and performing, but with ritual theatre, I would prefer to be a spectator. This way, I can watch the story being unfolded right in front of me which I find fascinating. Part of being a spectator gives me the freedom to simply watch the ritual or to be a part of it by playing an instrument to add sound. Such as any other performance, rituals have storylines, a plot to tell through the body movements of the actors onstage. I think there is always room for improvement, especially in the props or costume category. We were not able to make specific costumes or make props since we did not have a lot of time, but the props we did have and the instruments definitely added a lot to the rituals. 

Imitation/Influence/Inspiration (September 25, 2012)

We took a sound file and using the 3 different ways of interpretation, created our own piece. The first group simply imitated the sound exactly as it sounded. 
The second groups took the sound they heard and created a skit, but with influences from the original sound; they took ideas the sounds reminded them of to make their piece. 
The third completely took a different approach. Because they were being inspired by the sounds, they took aspects of the sound file and made it their own, implementing only bits of the sounds they had received ideas from.
As shown, there is a difference between the three different ways, especially between Influence and Inspiration. Though those two may seem similar, there is a distinct difference as explained above.

Original sound:

Imitation:


Influence:

Inspiration:

Ritual Theatre: The African Bushmen

Unlike the previous two rituals, the African Bushmen ritual had a more rustic feel to it; how one would imagine a 'typical' ancient ritual to be like. While the Iroquois and Aborigine myths had more supernatural or fantastical events that created the lands, Khan, the great leader of this myth, creates each part of the world, one by one (kind of like God in Genesis). I thought this was a very solid performance with awesome acting to portray the parts of the creation myth. The ideas of the myth were well portrayed through their actions: for example, the sharing of a bottle among the people and animals showed how the two species lived in harmony. This relationship between people and animals was a huge part of ancient African culture, and the performance, I think, effectively communicated this idea. 
Enjoy!

http://youtu.be/k9ULMvb5yKs

Ritual Theatre: The Aborigine Creation Myth

The next group to perform their ritual was the Aborigine group. This myth seemed to possess more spiritual qualities than the other two. Different tribes of people definitely had diverse ideas as to how their worlds began. It was so interesting to see these ideas unfold in front of me through this performance. Although these tribes were probably years and miles apart, they still had that common experience of involving the audience in their rituals. Instead of just watching as one would do nowadays, or, since modern theatre was formed, I was able to participate and contribute towards the ritual in the center. Each of us in the audience played an active role in playing an instrument during the performance. After watching each other rehearse our creation myths, it was nice to see the final version of it, since we had a role in it, too.
Enjoy!

http://youtu.be/QNOghARQFRc

Ritual Theatre: The Iroquois Creation Myth

We had a fantastic time performing this myth for Mr. Weber, a result of our collaboration and rehearsals that we were so proud to present. As a member of this group that performed the Aborigine piece, I look back to the process that led to this point and I realize that a team effort can really lead to something great. Though it seems to be only a simple skit with a couple props, performing this myth gave me an introduction to what it meant to be a part of the theatre. I contributed my part to the acting and creative aspects, as well as being a participatory audience member during the other myths; what I loved, though, was that the collective of us as a class came up with these 3 performances.
I learned a lot about the performance process: reading through, blocking, assigning roles, adding props and sound, and most importantly, rehearsing, rehearsing, rehearsing! Each time we rehearsed, I think we improved some part, big or small. I was glad I could finally show it to someone after working on it for a couple weeks. 
Enjoy!

http://youtu.be/Aqzz2TUob6k

Ritual Theatre: What is it? (September 24, 2012)

We performed our ritual theatre plays for Mr. Weber (IB Coordinator) . A quick video of student Sasha Filipov giving a quick explanation as to what ritual theatre is:
http://youtu.be/zBIpSbKXNy0